People have always made, inhabited, and cared for a place through story, practice, and relationship. This conference session examines how meaning is embedded in landscapes and how those meanings are recognized, extracted, interpreted, and cared for over time. Drawing on archaeological and historical examples and highlighting spaces that reflect dynamic lifeways and diverse forms of symbolic expression, the session explores how narratives are materially and immaterially inscribed, engaged through archaeological and community-based research, and interpreted and protected through dynamic and unique ways long after their creation. The session moves across scales, from specific sites to expansive cultural landscapes, foregrounding both community and Indigenous ways of knowing as essential frameworks for understanding archaeological signatures, place-making and stewardship. Rather than approaching landscapes as static backdrops or bounded sites, the session invites contributions that emphasize place as relational, living, and continually renewed through practice, memory, and responsibility.
Irrigation canals are often understudied beyond questions of function, reflecting colonial narratives that privilege monumental architecture over everyday or ritualized infrastructure. In the Andes, however, these systems did far more than sustain agriculture in an arid environment; they materialized relationships among people, water, and sacred landscapes. The Cañoncillo Archaeological Complex in the Jequetepeque Valley on Peru’s north coast comprises multiple ceremonial centres connected by canal systems drawing from Cerro Cañoncillo, a prominent mountain peak that has structured settlement, ritual, and agricultural life from the Formative Period to the present. In Andean worldviews, such peaks are not passive landmarks but animate beings imbued with ancestral power. Canals linking the mountain to surrounding communities therefore functioned not only as infrastructure but as pathways embedded within a broader cosmological system. Maintained through episodic practices of ritual cleaning, repair, and offering, these systems were central to ongoing engagements with the landscape. Drawing on research from the Tecapa Archaeological Project, ethnographic examples from Indigenous Andean communities, and microfossil analysis to identify episodes of canal use and maintenance, this paper argues that irrigation systems can be understood as active cultural landscapes, sustained through reciprocal relationships and revealing enduring practices of stewardship.
Archaeology in North America still occurs in a settler-colonial context. Knowing that the colonial moment has not passed, we reflect on and consider the complex interplay between archaeologists and Indigenous descendant communities today, as well as how these interactions both contribute to and can combat ongoing settler-colonialism. In particular, this paper explores concepts within landscape archaeology and discusses the need to step back from the level of the individual archaeological site to consider the entire cultural landscape in order to honor the ways of knowing of both Blackfoot ancestors and modern descendant communities. Using three case studies from the Blackfoot homeland of the Northwestern Plains, we demonstrate how viewing archaeological sites within their broader landscape context can identify intangible cultural heritage, foster cultural connection, and reclaim places for descendant communities, ultimately contributing to the process of reconciliation.
With a distribution spanning much of the Great Plains, from north of Calgary Alberta to as far south as Utah and Colorado, the Shield Bearing Warrior (SBW) motif is one on the most geographical expansive rock art motifs in North America. Likewise, the SBW motif is one of the best-known elements of Northwestern Plains rock art traditions, present in both the Ceremonial and Biographic traditions of the Late Precontact Period. Utilizing a dataset of both previously reported and newly identified rock art sites from the northern limit of Northwestern Plains rock art distribution, the author attempts illustrate the numerous examples that are included under this wide-ranging classification, and thus provide a better definition for this cultural phenomenon. By an examination of a selection of these motifs, and by a deconstruction of the SBW images into their respective elements, the author hopes to provide evidence of cultural transmission and continuity over a vast geographic area and time depth.